This entry is part 4 of 4 in the series History of Jump and Fujoshis

1990 to 1994 can be considered by many as one of the strongest periods of Jump. The title that carried this period was an epic intergalactic superhuman masterpiece named Dragon Ball Z. It was so popular that no one in this world could not have encountered this anime. However, despite its popularity, the fujoshis focused their attention towards the other titles that were also great but somehow fell under the cloud of Dragon Ball Z.

For the Fujoshi, Goku and his dragon balls did not spark a fire to their fragile fangirl hearts. Instead, they looked at the bishounens from other Jump titles. The era of androgynous men have come to an end. In this era, it was all about the handsome boys of Jump.

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This entry is part 3 of 4 in the series History of Jump and Fujoshis

For this round, we have to remember something: the girls follow where the pretty boys are. By the time our dear Fujoshi’s have been hooked line and sinker with Captain Tsubasa, they found themselves regularly reading Jump. During Jump’s heroic age, wherein most heroes had bulky bodies, serious manly faces, and crazy poses, some fangirls focused their attention on the Masami Kurumada’s epic tale of astrological proportions, Saint Seiya.

saint seiya - hades ova covers

The mythical backdrop of Saint Seiya provided the perfect setting for every fujoshi’s fantasy.
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This entry is part 2 of 4 in the series History of Jump and Fujoshis

1980 to 1984 marked great development and diversity in Jump. The second part of the WSJ Illustrated Guide would probably tell you more about the growth of the magazine and the rise of its future mangaka superstars.

On our end, this period is monumental. Why? It is in this period that a bond was established between the fans of Shounen-Ai and Shounen Jump. As the authors of shounen-ai experimented with more mature themes and story lines, their fans started to starve for the genre. Unlike today wherein you have tons of mangakas for BL, there were only a select number of authors who tried to write shounen-ai. Later on, their fascination for boy stories led them on a quest to find other tales that exhibited the same potential as those that have been written by shounen-ai mangakas.

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Their search ended with a tale of a young boy named Oozora Tsubasa and his journey to achieve his goal of representing becoming a world class football (soccer, for Americans) player.

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Rarely do I feature doujins because of their apparent inaccessibility. However, a WebComi doujin shouldn’t be so bad. For my first WebComi doujin feature, I present… Hetaria!.

My friend Anne, gave a link in her journal on what she said to be was CountryxCountry slash. At first I thought how that’d be funny, so I gave it a check only to realize that it was more than just your usual CountryXCountry slash, but rather a WW Axis Power Country slash, even with appearances of Allied powers. Hidekaz Himaruya… YOU ARE A GENIUS!!! m(_ _)m

Hetaria characters

Himaruya-san created a Web Comic called “Hetaria”. Hetaria features an anthropomorphication of the different Axis countries as they fight in the first World War (and later the second World War). Or that’s what it’s trying to present, but the insanity revolves in the little exchanges that happen between the countries during the war. The story generally revolves around Italy who was, as illustrated, a good for nothing country. Hence the pun on Italia by giving the name “Hetaria1

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  1. Hetare means useless. []

  • Otaku Champloo is...

    simpsongravatara small serving of bittersweet manga bits by a manga addict named Khursten.
    She currently digs mangas about boys who live to be men.
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