Category: Fujoshi Life

  • More than just an eye for BL: Fujoshi’s Queer Affective Literacies

    Well, didn’t think a meme would be apt for this moment but I really feel that it has been a journey from this blog to this moment.

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  • The Multicultural Face of Boys Love

    The Multicultural Face of Boys Love

    It’s been a while since I was a part of a BL party. When I hosted the 801MMF, BL felt brand new. The online community was still shifting from using to yaoi to BL. Yaoi hands were still a thing. And I was eager to talk about diversity in boys love at a time when it was being challenged as a queer text.

    Back then, I hoped that people could embrace this media and how this was an empowering space for creative sexual expression among women. Years later, some people still refuse to see the beauty in these works.

    Cultivators Wei Wuxian and Lan Wangji from The Untamed

    What I find most interesting is that BL creators and fans did not give a frak. Instead, rotten girls in the region rose to the occasion and created more rotten stories about boys falling in love. Seven years after I did the 801MMF, BL has a different face. BL is no longer isolated in Japan. We no longer imagine BL scenes through Japanese high schools or in high-rise offices. We now see boys love through engineering students in Bangkok, cultivators in ancient mythical China, and altar boys in Manila. There are now different faces to boys who find love in our imaginations.

    WHAT MAKES A BOYS LOVE TITLE?

    Given the increasing diversity of boys love, it might be important to understand what are the qualities that define boys love. Scholars in Japan would say that BL must follow the ōdō, which translates to the “noble path” of BL but I’d sooner translate it as the “central equation” to boys love because it involves the formula “seme x uke

    For a story to be considered as BL, it must have these two character types where the seme “gives” affection to the “uke” who receives his love. This formula highlights the importance of romantic relationships in BL. BL is devoted to the exploration of this dynamic, whether as a couple, threesome, or an orgy. Whether romantic or sexual.

    In my research, another important aspect in boys love media is how BL works play with the intertextual meanings of different narrative elements in an effort to find pleasure or moe in these works. Without going too technical on what this is, let me give an example.

    In a BL story, there is a seme and an uke. To make the characters more interesting, a BL author will give one character a pair of glasses. If the author gives the pair of glasses to the uke, the author draws upon all the meanings associated to an uke wearing glasses. Maybe this uke character is quiet. Maybe he’s a bit shy. Maybe he’s a bit clumsy. And the author piles on the intertextual potential of this uke character with glasses until they are satisfied. Or, maybe, the author gives the glasses to the seme and they imagine a very cruel seme character who enjoyed teasing the uke. The way the author plays with the character and the pair of glasses is an example of an intertextual practice often seen in BL works. As BL fans, we’ve developed a rich database of elements whose meanings we can play with. From zodiac signs to the characters’ favourite drink, all of these little details gives us the inspiration to find pleasure in finding the right combination for the BL work that we enjoy.

    For years, Japanese BL fans have been playing with this intertextual database and ōdō. Now, fans all over the region, from Korea to Thailand, are also playing with various intertextual elements under this “ōdō.”

    A WORLD FILLED WITH BL

    I still remember 2016 when the entire fandom was on to Yuri on Ice. The series certainly had interesting discussions online on queer works in Japanese media but interestingly, its impact was isolated in Japanese society. Instead, it took a parody of boys love, Ossan’s Love, to really engage public conversation on queer works and LGBTQ media in Japan.

    With the end of Yuri!! on Ice, to be honest, I thought that BL fandom would just hop on to the next interesting Shonen Jump title. Sports series has long been a part of fandom but with Haikyuu dominating the narrative and with Shonen Jump exploring darker and pensive narratives as their main titles, there seemed to be nothing that caught people’s attention.

    Mingwa’s BJ Alex.

    What I didn’t know was that my timeline, which had always been a reliable source of fandom trends, is no longer representative of the emergent fandoms that were powerful enough to change the face of social media. One interesting shift was the discussion on the BL manhwa Killing Stalking. While this was initially discussed within the context of Yuri!! on Ice, it introduced many to Korean BL Webcomics and its darker narratives and its sexually charged panels. Have you read BJ Alex? Wow. WAO. The discussion on BL webcomics also highlighted the influence of Korean popular culture on BL fandom as some of these fans were also into KPOP Shipping. From here, I noticed the growth of the genre. What I didn’t foresee was the explosion that will happen after. 

    In another part of the internet, fans turned towards Thai dramas and found pleasure in Y-lakorn. While I’ve been made aware of this corner as early as 2015 no thanks to my ever-curious mate who was asking what’s the tea on Filipino fans of this media, it wasn’t until recently that I’ve seen the scale of interest in these stories as ThaiBL series such as SOTUS was shown globally through Netflix in the last few years and just this year, the series 2gether trended worldwide with every episode. Suddenly, BL had a Thai face.

    Arthit and Kongpob in Sotus

    While my ever-curious mate and I think that there are biases with regards to particular character features in Thai BL, we were more impressed with the growing scale of ThaiBL media which was initially produced by Thai women on online novel platforms. Well, I was impressed by this. My ever-curious mate has his own two cents on this and I’m sure he’ll publish that in a book someday. Right now, Thai BL is an unstoppable force that is encouraging conversations on LGBTQ media in Southeast Asia.

    And then there was China with their BL works called danmei. While danmei had been around for some while, I never imagined it would become massively commercial given China’s censorship and takedown of various danmei creators and spaces. Hence I was surprised when I saw mdzs and mxtx emerging on my timeline. I didn’t know what it was but I was definitely surprised when I realised that it was a danmei title was garnering global attention. And then, the live-action drama The Untamed was released. All hell broke loose. And now, one of my timelines shifted from ice-skaters to ancient Chinese soulmates. As for me, I was innit for Little Apple, the smartest of donkeys.

    As these things were happening, BL manga also took a sharp turn as their seme and uke were now in South America,  Amish, and in hell. The world of BL is growing and evolving and I am up for it.

    ONE KHURSTEN, TOO MUCH BL

    I’ll be honest, I’m the kind of BL fan who can only handle one active fandom. I’ve gotten used to weekly manga releases that kept my heart interested in my ship. I’m used to monthly releases of new BL titles. Recently, I got into KPOP fandom no thanks to the urging of my ever-curious mate who gave me a 5-hour TED talk on his favourite KPOP band. The pace in which content is released in this space is INTENSE. My wallet is bleeding but my heart is full.

    What’s fascinating is that other BL spaces such as Thai BL and even danmei are also following this tight schedule that thrives in keeping BL fans’ attention to the minute. It is insane. I am trying to find air to breathe and I am particularly impressed by those who manage to juggle all of these fandoms. For now, my focus is on my wonderful KPOP boys and the already exploding world of BL manga. Not gonna lie though, I’m also enjoying watching some Thai BL titles too! And I’m also dipping my toes over this sleuth in the Ming dynasty! I said to myself that I should establish boundaries but the temptations are too good.

    Truly, I am excited by this growth. I’m looking forward to other corners of the world where boys love emerges as a space for queer expression. It’s already happening here in Manila as we started creating our own BL web drama series. I hope it happens in other parts of the world too. Maybe someone will make that Penguin BL in the North Pole. Who knows?

    What are you looking forward to in this BL explosion?

  • I’m alive!!

    I’m alive!!

    Chillin’ like Takane (from Takane and Hana vol. 10, Viz ed.)

    From time to time, I wonder if I have outgrown this blog. The fact that I’m writing this after some while means I haven’t.

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  • Talks on democratising youth media and glocal dōjin works

    Hello! It’s been a while!

    Since I last posted, I’ve done so many things like pass my thesis, prepare a conference, and uproot my life from Australia. It’s a bit crazy but all is well and good!

    Throughout the month, I’ll be giving some talks about my research.

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  • Let’s party, fujojo! It’s 801 (yaoi) no hi!

    Takeuchi sachiko's kusare joshi in deep

    Hey fujojos! Happy Yaoi no Hi!!

    If you’ve been abstaining from your delusional thoughts over boys falling in love, then it’s the perfect time to indulge yourself and bask in BL all day long. For all you trashy fujojos, it’s an opportunity to revisit your favourite stories and ships. For others who have lost touch with BL, perhaps it’s time to reconnect and find some new titles to try!

    This year is particularly special for me. As it turns out, on the 21th of this month, this blog has been around for 10 years! This day has been creeping on me and I often realise my blog anniversary often after the date. It’s crazy and to be honest, I can’t believe it’s been ten years since I wrote my first post! I also can’t believe I’ve kept this blog for more than ten years! I’m more delinquent than most blogs but it’s crazy just to have this blog and to have met some amazing people in the process. It’s been a batshit crazy decade that I just can’t handle all these amazing feels rushing through me this month. 

    In celebration of this blogversary, I’d like to invite you to a month long party in my blog! I’ll be doing a couple of features over the month and I will be giving away some goodies as I recollect the best things that happened to my fujoshi life in the last ten years. Hence, Otaku Champloo is celebrating Yaoi Day FOR AN ENTIRE MONTH. Well, maybe we’ll be celebrating my otaku life for this month and you can join me in recollecting our love for manga in the last ten years!

    But for now, allow me to start your day right by greeting you a happy yaoi no hi, fujojo! May your day filled with love and boys who love each other!

  • Manga Resolution for 2015: All about Josei

    Manga Resolution for 2015: All about Josei

    A display of Taishou Romantica by Odawara Mizue in Tsutaya.

    As I was writing down my favourite reads of last year, I sat back and wondered, how much attention did I give to josei that year? I remember writing last year about the silence on josei but did I even make an effort to tackle josei, let alone understand this genre which I have claimed to have personally appreciated? 
     
    I kinda did but I kinda didn’t. I didn’t walk the talk on josei. At the very least, I read a number of josei works but I didn’t, in any way, give some thoughts on josei. I hardly even talked about the titles I read! And I keep mumbling about josei this and josei that but what do I even mean when I say josei? Am I referring to the genre? The writers? The audience? 
     
    In the last year, I’ve struggled to find answers for this because I didn’t know where to stand or even where to start. Am I raising some kind of orientalist feminist banner that demands attention for josei writers and the genre because they epitomise feminist cool? More so, on whose feminist lens am I reading josei? More so, is it just josei? Can I neglect the contributions of Yoshinaga Fumi with What did You Eat Yesterday or even Nakamura Hikaru with Saint Young Men simply because these titles run in a seinen magazine? What about the likes of Cuvie who write eromanga? And the countless of artists who draw the likes of TL and Ladies comics which has been conveniently identified by people as meaningless and senseless smut. Are these josei also meaningless? Will I read only those that are meaningful? How do I even define what is meaningful in josei?
     
    I’ve given myself a headache over these questions until I’ve lost track on what was really clear about the entire thing: I don’t really know so much about josei. To be precise, I don’t fully comprehend the extent of what female Japanese comic artists write.
     
    The truth is, as readers, we’ve been educated by countless of books on manga on which female artists mattered. Think Takemiya Keiko, Hagio Moto, or Ikeda Riyoko. I am not saying they don’t matter. All these ladies have contributed amazing things to manga but the problem lies in how attention to these women trapped us non-Japanese readers to think that these authors, and works similar to theirs, are the only ones that matter. It ticks me when people say “I only buy the manga classics like Tezuka because it’s only the good manga.” This attitude narrows the whole world of manga because there’s still a lot of manga out there, many of them vibrant, many of which are written by women.  
     
    Hence, this year, for this blog, I will make an effort to discover more about the world of women’s manga. I will read more manga written by women, from genres spanning from shoujo, to actual josei, to BL, TL, and even doujinshi and eromanga. I’ll also do my best to share some of the awesome texts written about women writers I’ve crossed in my research.
     
    It’s all about the women in manga in 2015! I can’t help but feel excited! From time to time, I’ll still be sharing some things about other genres but yeah, I’m refocusing my fujoshi lenses by adding a josei grade. It should be fun and if you’re interested, let’s josei up this year and read as many titles written by women!  
  • C87 Envy

    C87 Envy

    Untitled

    Comic Market 87 (C87) is happening and I’m having the C87 blues. With all my favourite circles announcing all their new doujinshi, I want to go back to Tokyo Big Sight right now! I wanna go back to the battlefield! I wanna fight for my ships, fandom, and doujinshi once more!!

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  • Crafty Japanese Book Covers

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    Do you guys cover your books? I do. Well I try to.

    When I was younger, usually before the school year begins, I love spending an entire day just wrapping up my books in plastic. As years go by, I developed an art to it. There’s got to be a perfect grade of plastic that you can easily wrap your book with and then easily slip it off when you need to sell or give it away. There’s also a way to place the tape in a way that it doesn’t damage the book at any cost. It was an awesome process, I tell ya. However, adult life has robbed me of this leisurely task and so I make a point to take good care of my books especially when I’m traveling or in transit.

    And then my recent trip to Japan happened and I visited bookstores left and right. At first, they’d ask me, “Do you want us to take the vinyl off your book?” Sure. No problem. And then they ask, “Do you want us to place a cover on your book?” How could I honestly say ‘No’?

    I don’t know why this never happened to me before. Maybe because I never paid attention or that I probably bought books at bookstores that doesn’t do this stuff. But since I really managed to immerse in Tokyo this time around, I stopped by a lot of bookstores and at some point I was happy collecting all sorts of book covers.

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    Left is from Toranoana and right is from Yurindo. Toranoana has the same design to cover B5 dojinshi!

    For anime and manga fans, the best place to get book covers are in Animate and Toranoana. Animate doesn’t offer it all the time but it wouldn’t hurt to ask if you can get a cover. Animate’s cover though is a convenient plastic cover, the kind where it’s conveniently sized for your manga size and all you have to do is slip it in. It’s nice since it keeps the cover. But when you’re reading BL, it’s annoying that the people in front of you KNOW you’re reading BL.

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    I love this map feel of Bunkyodo’s book cover. <3

    I prefer the recycled paper covers, the kind that does its job of protecting your books while you read it in your travel as well as giving you enough privacy to hide your book from onlookers. Also, these book covers also come in varying designs. Also, the cashier does a lovely speedy trick in covering your books to the point that it’s almost inspiring to do this with any fancy sheet of gift wrap when I get home.

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    This is my favorite cover which is from Books Ruhe in Kichijoji shotengai. Isn’t the design adorable?

    Stores vary in terms of design. My favourites are Bunkyodo’s, Toranoana, Books Ruhe in Kichijoji, and Haruya in Nakano Broadway.

    I cannot suggest enough to get this when you’re in Japan, although at some point, you might think it’s definitely a waste of paper. To a degree it is and to be honest, at one point, you can tell the cashier that they don’t have to give you a cover. That saves the guilt and the great thing about this is you can reuse the covers for when you’re travelling and lugging your comics around. At least for me, it saved some of my new comics from getting a crease while I’m lugging them around from airport to airport.

    If you go to Loft, you might even find an array of book covers that last longer. My favourite, and inspiration for creating my own book cover is Beahouse’s Freesize book cover. IT IS AWESOME! Just catch this video and let Paul convince you of its awesomeness!

     

     

  • A guide to visiting Free!’s Iwatobi (Iwami, Tottori)

    Chillin' in Uradome!

    When I planned my trip to Japan last April, I had one non-negotiable location.

    Surprisingly, it wasn’t a fujoshi spree in Ikebukuro. Nor was it even paying homage to Akihabara.

    There was one thing that I really wanted to do in Japan — I wanted to see Haru, Nagisa, Makoto, Rei, and Rin’s hometown, Iwatobi. I honestly love beaches and I loved the scenery I saw in Free. I thought, if I’d visit the place, I’d get to appreciate the boys’ life a little more.

    If I visited Iwatobi, my fujoshi life for this year would be complete. Maybe.

    Hence, I turned to Japanese websites and found out that Iwatobi was based on Iwami, a coastal town in Tottori! I couldn’t resist the temptation and researched all things Iwami.

    With season 2 happening, I hope this post inspires you to visit this awesome town! 

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  • Fujoshi Shopping Guide in Japan

    So you’ve been seeing all these blogs or twitters highlighting these so and so items for these so and so anime at these so and so events. Chances are, you’d want these items. Chances are, you’ll be going to Japan soon. Chances are, these are limited edition or event-only items or even gashapon. Chances are, these items are sold out. Chances are, you’ll be fighting for these items.

    In order to help you make your trip less disappointing, here are some tips I’ve learned about buying goods for all your fujoshi needs.

    Akihabara

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