NOTES AND BIBLIOGRAPHY
[1] T. Fujitani, Geoffrey M. White, and Lisa Yoneyama, Perilous Memories: The Asia-Pacific War(s), (United States: Duke University Press, 2001), 1.
[2] Jonathan Bignell, “Writing the Child in Media Theory,†in The Yearbook of English Studies 32: Children in Literature (2002), 131-136. Accessed in 22 March 2012.
[1] Matthew Penny, “War and Japan: The Non-Fiction Manga of Shigeru Mizuki,†accessed last 22 March 2012. http://www.japanfocus.org/-Matthew-Penney/2905
[2] Tomoko Otake, “Drawing on Experience,†Japan Times Online, accessed last 22 March 2012, http://www.japantimes.co.jp/text/fl20050206x1.html.
[3] Morris-Suzuki , 194-195.
[1] Osamu Tezuka, “Kami no Toride†in Tezuka Osamu no Kaita Sensou, (Japan: Asahi Shinbun Publishing, 2010), 44.
[2] Manga is Japanese term used to describe comics.
[3] Frederik L. Schodt, Dreamland Japan: Writings on Modern Manga, (California: Stone Bridge Press, 1996), 236-237.
[1] Keiji Nakazawa, Barefoot Gen Vol. 9, (San Francisco: Last Gasp, 2009), p. 138-139.
[2] Kenji Kajiya, “How emotions work: the politics of vision in Nakazawa Keiji’s Barefoot Gen,†Comic Worlds and the World of Comics: Towards Scholarship on a Global Scale vol. 1, ed. by Jacqueline Berndt (Kyoto: International Manga Research, 2009), 250
[3] Tessa Morris-Suzuki, The Past Within Us: Media, Memory, History, (London: Verso, 2005), 162-163.
[4] Chugoku Shinbun. Hadashi no Gen Heiwa Kyouzai ni, accessed last 22 March 2012. http://www.chugoku-np.co.jp/News/Tn201203210110.html
[1] Byron K. Marshall, Learning to be Modern: Japanese Political Discourse on Education (Colorado: Westview Press, 1994), 121.
[2] Elise K. Tipton, Modern Japan: A Social and Political History, (London: Routledge, 2002), 128.
[3] Marshall, 134-135.
[4] David C. Earhart, Certain Victory: Images of World War II in the Japanese Media, (New York: M.E. Sharp Inc., 2009), p. 186.
[5] Ibid., 186.
[6] Earhart, 194.
[7] Ibid. 198.
[8] Ibid., 199.
[9] Ibid., 200.
[10] Ibid., 209