2016 was quite surreal as seemingly impossible things just got real. From the deaths of our cultural heroes to the figure skating anime we never realised we actually needed, 2016 was exceptionally cray. 2016’s BL titles were no exception.
The 2017 list of BL’s “dangerous” titles, as selected by Japanese BL readers and critics for Kono BL ga Yabai, represents an audience’s thirst for something different, exciting, if not, a bit “dangerous.” This is more apparent in 2017 than in previous years as readers and critics chose stories that were definitely “yabai”.
I’d like to think of this BL Starter Kit as Pandora’s Box. When Airin raised the idea to me, I was obscenely curious over what she had to say. In fact, I’ve been very curious what titles people suggested because getting someone started on BL is like opening Pandora’s Box. The entire world thinks that it has nothing but evil — homosexuality, misrepresentation of homosexuality/masculinity, sexual aggression, yaoi hands, etc. Before you even grab your first BL book, people would have told you 9000 reasons why it suck and why you should not read it. It’s reached a point where any person who likes BL will openly tell you “Yeah, it’s TRASH,” as if acknowledging that nothing good comes out of it. And yet, a recent book about BL has earned an Eisner nomination. Amazing artists such as Yoshinaga Fumi and Shimura Takako started their careers as BL writers. And then the people who considered BL also trash also openly admitted that they genuinely love the genre. Doesn’t that make you want to open this Pandora’s Box?
Another year. Another set of dangerous BL. WHERE DID THE YEAR GO!?!
I started the year writing about Kono BL ga Yabai and here I am writing about it again!?! And I hardly reviewed any awesome BL this year since I’ve been busy writing other things. OTL. But I did manage to find time to read a handful of new BL titles this year. Sort of. I’m quite sure I’ve read a couple but it’s quite sad that I really remember so few. That said, the number 1 title in Kono BL ga Yabai 2016 is definitely no surprise although it’s one that truly deserves the term dangerous. Here’s this year’s list of Kono BL ga Yabai and Chichil’s Best BL.
It’s awesome to start the new year with some BL and I’m more than happy to share to you the list of most dangerous BL in 2015 from Kono BL ga Yabai!
Kono BL ga Yabai’s been going on since 2008 as a BL counterpart to another famous manga roundup called Kono Manga ga Sugoi. It was first published as a section in Eureka’s BL Studies issue but the year after, it eventually got its own book. Like Kono Manga ga Sugoi, BL ga Yabai selects titles released from a particular period (often between October of the previous year and September of the current year) and holds a poll on their favorite BL titles released that year from 40 manga critics and 6000 readers online and in stores. The result is a diverse selection of titles that has never disappointed me as a fan. Of course, granted that the critics votes have larger clout than the readers, I consider this list as a critic’s choice than it is a popular vote.
Here’s the BL ga Yabai survey in Animate when I visited in August 2014. I was one of the voters from Animate this year! XD
You can see the differences and similarities in choices between the selections. Not that I am saying that one list is better than the other but I’d like to think that these differences highlight the various metrics used to observe BL readers as well as show the different trends among BL readers, depending on the places they visit or where they buy their BL. For example, those who respond to Kono BL ga Yabai are probably meticulous readers who buy their manga in stores while taking note of when and why they bought it. Amazon’s list is based on sales and this might reflect on how easier it is to buy some titles online (e.g. In These Words are hardly seen on shelves in bookstores during my last trip given the fast turnover of titles in bookshelves). Chil-chil’s results is based on BL readers whose choices may be influenced by Chil-chil’s online forum. There are possibly other factors on these differences but for me, these lists are a great resource for good BL reads for the coming year.
The Kono BL ga Yabai 2015 also listed some of the best characters in BL manga last year. I won’t list all but here are the best of them.
Best Seme: Kuze Akihito (Blue Morning)
Best Uke: Yano (Twittering Birds Never Fly)
Best Megane: Asano Katsuya (In These Words)
Best Oyaji: Ichinose Masamine (between the sheets)
Best Hetare: Miyasaka Ken (Tokyo Shinchuu)
Best Tsundere: Kuroi Sabato (Kachou Fuugetsu by Shimizu Yuki)
Best Sadist: Kuramoto Yuuji (Kimi ni Sasagu Sadistic by Sakurabi Hashigo)
Best Masochist: Nagai Tarou (Utsukushii Yasai)
This year’s Kono BL ga Yabai finally gives character to 801chan’s companion, 802-kun. He was designed by Nakamura Asumiko and has been on the cover with 801chan since 2013. 802-kun is a salaryman. In this segment, 801chan reveals that 802-kun’s senpai has the hots for him by showing his senpai’s intention to simulate a “train molester play” in these short comics.
Lastly, Kono BL ga Yabai 2015 also highlighted 5 BL newcomers who are expected to give us awesome and exciting titles in the next few years. The only one I’ve read is Harada, known for her work in Ren’ai and Yatamomo. The other authors are Ido Gihou (Yasashiku Oshiete), Yuki Ringo (Tamayura), Ogeretsu Tanaka (Koi to Baka de Aru Koto da), and Etsuko (In the Apartment)
Now, I only highlighted the comics section of the book. There’s also a look at the best BL novels, as well as various interviews of the winning artists. For this year, it’s Nakamura Asumiko and Sakurabi Hashigo. There were also various features on the best manga for various tropes/play/settings as well as the top 5 manga as selected by various manga critics.
I think this selection is fairly nice. Compared to previous years, I’m surprisingly updated with many of the selected titles since many of them have either been published in ebookjapan or I had the chance to buy them. Hence, I feel a bit confident about pushing many of the titles in this list. That said, even when I read most of these titles, I realise that I have so much yet to read!
I am not surprised that Nakamura Asumiko got the top prize for Kono BL ga Yabai. She’s been a favorite among BL fans (and mine as well) and OB does deserve some merit. Hidaka Shouko, Takarai Rihito, and Yoneda Kou titles at the top also reflect their popularity and strength as authors. There are also new names in the list which give me faith in fresh new talent. Kii Kana’s Umibe no Etranger was a delight to read while Harada’s Yatamomo‘s hard erotic scenes was one I didn’t imagine critics would particularly place in the top 20. Then again, Harada’s presence in the top twenty also signifies a trend I noticed in this year’s selection. If anything, I think this year should be handed to Sakurabi Hashigo who spearheaded the trend in bringing sexy back to BL with her work Toshishita Kareshi no Renai Kanriheki.
Toshishita Kareshi no Renai Kanriheki vol. 2 by Sakurabi Hashigo
Last year, there’s more schmex happening in BL and Toshishita Kareshi, Yatamomo, and Kuroneko Kareshi are the best reminders that ‘hardcore’ schmex is back with a vengeance. In the past few years we’ve been getting a lot of ‘softcore’ BL which is fun and cute and has made us forget all the raunchiness that used to happen in a lot of yaoi titles. But this time, BL has embraced some indecent images, vulgar perspectives, profuse sweating, obscenely noisy ukes, and creaking beds! And at times, it’s even lethal. By that I mean that they’ve managed to work a balance between a great heartwrenching mune-kyun story to go along with some of the most erotic scenes I’ve seen in current BL manga. Nakamura Asumiko’s OB is a good ‘softer’ example but there are things in Yatamomo that just makes my nose bleed. This new surge of hardcore BL works appear like tributes to some of the better executed full on hardcore yaoi seen in the late 90s (think Yoshinaga Fumi in her dojinshi!). If anything, some of these titles attempt to rival some of the softer erotica seen in gei (gay) comics ((just to note that this refers to Japanese gay comics — what most foreign fans know better as bara)). However, I don’t see BL embracing many of the heavier images in gei comics anytime soon.
What I also find particularly interesting about this list is how Guilt Pleasure is doing really well in Japan! Granted that Guilt Pleasure did a lot of work to promote In These Words, it’s amazing to see a foreign artist do really well in Japan! In Animate, they pushed Guilt Pleasure as an American comic which I find particularly funny because I think JoChen’s illustrations for In These Words are aesthetically closer to manga than amecomi. Hopefully, Guilt Pleasure’s success would push Japanese publishers to look at other foreign talent as well.
I expected some titles to hit the top. For example, I casted votes for Itoshi no Nekokke, Love Stage, Tokyo Shinchuu, and Kachou Fuugetsu yet those fell somewhere in the top 50 mark. Either way, the selection’s really interesting and are worth definitely reading for many BL fans. If you haven’t started reading some of these titles, then it’s about time you start the year right with some of these dangerous BL.
This is a podcast about the fans who love an author’s work and a publisher who has been a bit of a hit and miss when it comes to maintaining the quality of their titles.
Saezuru Tori wa Habatakanai (Twittering Birds Never Fly) is a work written by Yoneda Kou that features the relationship of high masochist yakuza boss and his loyal bodyguard. It is possibly the most popular title of Yoneda Kou to date, one that is loved dearly by many BL fans in Japan and abroad. It also has one of the most visually stunning cover designs in BL to date and these designs have been lauded by many fans.
In this show, I have Himi, owner of Com801 and organiser for the Licensing of Saezuru Tori wa Habatakanai, an online fan campaign that seeks the support for a better quality release for this title. The title has been released by Digital Manga Publishing as part of their June titles. The online edition is available in Amazon US and e-manga and the print edition will be made available in September.
OP/ED – Season of Love by Pinky & Killers (Evangelion 2.0, You can (NOT) Advance OST)
In the end, as fans who know that DMG publishes the largest amount of BL for us, we want to put our money on something worth it. No shoddy translations, lazy editing and cut up printing. We want DMG to set the same standards they have in their Tezuka titles for their BL titles as well.
Right-o! Put three fujojos in a room and they talk about pr0n. Even in a skype chatroom.
For the 801 MMF, I’m happy to share some time with Anne Lee from Chic Pixel and Jocelyne Allen from Brain vs. Book to talk about something close to our hearts: Boy’s Love Manga
Anne Lee’s translated a number of titles for DMG and she’s currently doing her PhD on Boy’s Love. Jocelyne Allen is also a translator for Sublime but she’s got a roster of BL titles under her belt. On the other hand, I’m just a BL fan. lol. Well, Anne and I move around the same academic BL circles, so we get around.
Either way, for this podcast, we’re doing an overview of BL and prattle on about sound effects in BL and all that jazz!
We had so much fun doing this podcast and I’m personally considering doing this quite regularly. I better invest on a good mic! 😀
If you guys have topics related to BL that you want to hear about, what would be the topic? I’d love to hear from you and hopefully maybe invite you to talk about your feels for the next Fujojocast! 😀
When a couple of Japanese BL scholars went down to Manila, I spent a good week with them – interviewing local female artists and getting to know BL fans in Manila. During down time, they had a chance to ask me, “What kind of BL do you read?” And as with everything that involves my feels, it was hard to say a proper answer and went on to say the names of the authors I love: Yamashita Tomoko, Nakamura Asumiko, Kumota Haruko, etc. As I go down the list, they were completely unfamiliar with the names until I said “Est Em” and one of them interjects, saying, “Ah! So you like New Wave works!”
“Eh? New Wave?”
“Yes. New Wave.”
Back then, I had no idea if they meant some 80s music movement but I silently nod until months later, upon reviewing for this MMF and the Fujoshi Bible, I’ve been reminded of the term New Wave. It seems this New Wave is sweeping the future of BL.
