Last week’s highlight for me, other than receiving some great mangas from a friend (and my Touch OST! ;w;) is looking at the line up of Jump Square. To be honest, as much as I owe a lot of my fandom to Shounen Jump, recently, the titles in the magazine has gone quite stale. Maybe I just grew up. Young Jump is fine, but can be a little brutal on my end. Could Jump Square be just the right amount of adventure, humor, and maturity that I’m looking for?
The manga has quite a lot of things to look forward to. First would be 3nen Zgumi Ginpachi-sensei! After giving my heart and spleen to Gintama (and I think half my brain), this crazy spinoff of the series is definitely something to look forward to! 3nen Zgumi Ginpachi-sensei takes the characters of Gintama and puts them in a classroom setting. Gintoki is now Ginpachi-sensei and he usually leads the class in insane homeroom activities. It has been published as a novel, but I’m not so sure if this means that the novel will extend into a manga series now in jump square or it probably means that it will have some stories written like short novelettes for the series. I’m betting on the latter one since Sorachi is a lazy monkey. XDD So yeah, this is one reason to read Jump Square.
Next would be Gag Manga Biyori. Another genius of a manga short is making a comeback. The humor and crazy puns in this series is gold. Again, it’s old man’s humor and may involve some cultural studies, but its a great way in looking to what a gag manga is like in Japan. <3
The other mangas are still rather questionable as I really haven’t read them before (but they do look nice). Nobuhiro Watsuki will have his story, Another Tale of Frankenstein, continued here. I wonder if it will rise to Rurouni Kenshin. Takeshi Obata will be drawing again, but this time with Masanori Morita. I don’t know if this will be good or what but if a mangaka works with another mangaka (and without corporate intervention!) maybe… just maybe… Obata will definitely bring to life his New Hope award from the Tezukas. A new popular anime, Claymore, will also be in this magazine and might be the magazine’s carrying story. Yoko Kamio of Hana Yori Dango fame will be writing for the magazine as well. There is a ‘Tales of’ story released in the magazine too… so… it could be fun. Could be.
In short, Jump Square is trying to show that Shueisha’s line of shounen mangas is more than just Shounen Jump. The inclusion of Yoko Kamio might be there to even appeal to some mature female readers out there, perhaps in the same way that Yoshinaga Fumi writes for Morning. Could this be Shueisha’s answer to the popular Morning or Afternoon? Well, we’ll see on November 2 if they match up.
Popularity: 2% [?]
Oh dear. Just when everyone of my friends is home from Japan, they show something quite important like this. -_-;; I have to thank Comipress for this. Apparently, FujiTV is releasing a drama special of Barefoot Gen on the telly from August 10 to 11 to commemorate Hiroshima bombing. I wish someone in the drama community rips this and uploads it… If not, then I suggest everyone should have a chance to actually read the manga and reflect on it. And kids should not complain that they can’t read it! My university has a copy of Barefoot Gen, both in English and Tagalog for everyone to read! I’m pretty sure other universities with libraries would have this manga as well. Maybe. Nonetheless, to those people who have access to it, either by their libraries (because I’m sure it’s no longer for sale here! It’s quite vintage!) or if you’re rich enough, via buying it online, then do so. It is a must read for any manga fan not because it is an old classic manga, but because it is a manga that will open your eyes to what history really is.
In war, history is often told by the victor. This is the easiest way to teach history to students. The side of the loser never has the chance to really get themselves heard except for their own country. The reason why I think Barefoot Gen is so important is it presents to us an alternate perspective of the Pacific World War. It makes history not just HIS story, but OUR story.
World War II is such a painful memory for the Filipinos. I have met and read old folks who have nothing but anger for the Japanese due to the war. But we really can’t blame them. The war experience was truly painful and you can’t take that away from them. However, the beauty of having access to works such as Barefoot Gen is that it allows you to understand that even on the side of the Japanese, the war was just as painful. It wasn’t just the bombing that hurt them. Even before the bombing, life was hard for them. Women working hours to buy grub for families. Fathers and sons sent away to suicide missions. War casualties is never on the side of the victim alone, but also on the aggravator as well. Barefoot Gen gives us this glimpse that is understandable for anybody because it is in the form of a comic. In our case, it is both in English and Tagalog hence anybody can read it. Too bad that the tagalog version is quite vintage already and is not easily available. Bookstores too don’t have a copy of the English version. DRAT.
On my end, this is a manga that moved me more than Grave of the Fireflies ever did. In that film, it only shows the hardship of two children. Anybody can pity children. Pity is not the key to understanding. Barefoot Gen gives greater depth to this by introducing to us a whole town moved by a propaganda and a family trying their best to live. It shows you their world and the machinations behind the war. The pity bit happens only during the bombing. But after that, it was all about the will to live. I cried reading this manga. Four years as a History Major, reading this tale moved me in different dimensions altogether. I can go at length on its historical weight, but I think what’s important here is that through this tale, I found out that my country’s pain was not mine alone.
Popularity: 3% [?]
I have a bad habit of reading my feeds too late. And thanks to that, I get late on the news. ^^;; So, the new year started with Comipress putting the news about the special relationship with Jump and fujoshi.
Fujoshi is what we, foreigners, would actually call ‘ yaoi/bl fangirls’. These are fangirls who have graduated from shoujo and are now crawling to the darkside and embrace Man x Man (Sometimes… Man x Boy ^^;;) affections. Because “what else could be prettier than seeing two hot boys getting at it?” To me, it’s one of the steps to otaku-dom. Among other things, it is indeed a true crawling to the darkside because well… yaoi and bl tend to be lewd in nature. It’s a little embarassing, nonetheless a very interesting experience. ^_~ You can read the technicalities of it in an earlier Comipress article
Now, going back to the article, I honestly wouldn’t wonder why Fujoshi would complain to Shounen Jump about the fanservice they give in their jumps. Honestly, have you guys been reading jump lately? Have you browsed through tenipuri!? I swear that series is GAY! If Tenipuri was one of the reasons that brought a large girl fanbase to Jump, I’m telling you, it’s the same reason why more girls are reading other things than Jump nowadays. God. -_-;; How gay can jump get!? There are just some titles that are too gay to mention. Maybe the girls are having an overdose of stuff from Shounen Jump
Popularity: 5% [?]
Apparently, Takeshi Obata, the lovely artist for the uber popular Death Note manga and Hikaru no Go, was arrested last wednesday after having been caught with an 8 cm knife in his car. He was actually stopped for not having his car lights on. It turns out in Japan, people are not allowed to hold a knife with a blade longer than 6 cm. Obata reasons that it was for camping, but he was still arrested by the police.
Shounen Jump has released that they aren’t pulling out the books that have been published for Obata unless there is a viable reason for his arrest. Nippon TV, who will be showing the animated episodes of Death Note, hasn’t given comments yet with regards to this arrest.
In all honesty, I think it’s silly, but a run in with the law is a run in with the law. I am half amused with this current turn of events. But I must add, thank GOD he’s not drawing for a manga now else I’d be so devastated to miss a week of his drawing. In fact, I quite miss him already. I hope things sort out for Obata-sensei. I mean, he should be able pay the fine of thirty thousand yen, right?
Source: MDN
Popularity: 2% [?]
Strangerataru posted at Weekly Jump a really interesting site that shows the history of Shounen Jump. Having been a jump reader (although not entirely faithfully, I don’t get the weeklies like others do. I just get the weeklies of series I read.), I can’t help but be curious about Jump’s history. And oh dear, looking at the website has made me reminisce some of the best stories I’ve ever read in manga history.
Shounen Jump’s probably one of the strongest magazines out there. That’s the very reason why it even runs in English now. And you can’t help it, Jump’s got some of the best stories told in manga. All the way back, it has mastered the formula of shounen manga. According to Frederick Schodt, there are three key elements in a shounen manga: friendship, perseverance, and victory. Throughout the decades, you can just see how they’ve done this. From Barefoot Gen to One Piece, they’ve basically shown boys of all ages how to live a dream. I guess that’s why readership of Shounen Jump doesn’t exactly fall within the bracket of young boys, but really all ages.
Honestly, looking at all those titles makes me sigh just thinking about all of the fun mangas I’ve read under Jump. Well, I’m looking forward to your 40th anniversary in the next few years. Hopefully, you guys can keep on making crafting some of the best shounen stories ever told.
On a side note, I used to think that Shounen Jump was the best ever until I do notice the wear and tear on some of their series. Sometimes, they hold on to much to the formula that they lose grasp of the story. Or maybe this is just my little tired mind speaking after finishing some papers last night. (?????????) But essentially, as I noticed through their history, there seems to be a reuse of formula that somehow wears the audiences thin. Like, if I ever see another martial arts/ninjutsu/butsu/whatever series, my head will definitely explode.
Popularity: 1% [?]
Gan on 
Goran Markovic on 