After braving fogs, dealing with a queen bee, and hopeful that I have the energy to even move after a hectic work weekend, I was fortunate to have some time to actually attend the Japan Foundation’s Manga Realities Exhibit in the Ayala Musuem. The opening night last August 15 was such a wonderful experience that I honestly didn’t want to leave and just wanted to stay in that exhibit forever.
I have been more excited about this than the Kingdom of Characters display (I had tons of things to complain about that one!) and more so, when I saw this in the Japan Foundation Magazine, back then, they only hide five series on display.
And now they have more!
The Japan Foundation will be holding an exhibit on the art of Japanese comics called “Manga Realities: The Art of Japanese Comics Today.” I am particularly excited about this exhibit as it contains some of my favorite mangaka and more. In Japan Foundation’s July Newsletter, the curator of this exhibit, Takahashi Mizuki of the
Contemporary Art Center, Art Tower Mito, noted that the exhibit intends to “recreate, in installation, sound and video, the same feeling of entering a “manga world” that you get when you read in manga…. Manga is experienced in private but this style of exhibition makes it possible to share the experience of manga with family and friends.”
I’m quite excited to see this exhibit and I hope manga fans will enjoy this as well!
Manga Realities: The Art of Japanese Comics Today
Ayala Museum, August 16-October 2
The Japan Foundation and the Ayala Museum in cooperation with the Contemporary Art Center, Art Tower Mito in Japan, will bring to Manila the traveling exhibition, “Manga Realities: Exploring the Art of Japanese Comics Today”.
It is widely known that Japanese manga and anime are attracting global attention today as the leading media of Japanese visual culture. Starting from manga comics by Osamu Tezuka, the master cartoonist of postwar Japan, this country’s manga has established a distinctive style that is different from American comics or French bande dessinée. Once depreciated as children’s amusement or a subculture, the public perception of these media has been changed considerably in recent years. Japanese manga and anime are now regarded as the main culture as the soft power that represents Japan today.
The exhibition which will be on view from August 16 (Tuesday) to October 2 (Sunday) at the Ground Floor Gallery and at the Glass Lane and Luna and Amorsolo Rooms at the Third Floor of the Ayala Museum will showcase nine manga artists and their works including Ninomiya Tomoko (Nodame Cantabile); Harold Sakuishi (BECK: Mongolian Chop Squad); Asano Inio (Solanin); Anno Moyoco (Sugar Sugar Rune ); Igarashi Daisuke (Children of the Sea); Kuramochi Fusako (Five Minutes from the Station); Kyo Machiko (Sennen-Gaho); Matsumoto Taiyo (No. 5); and Wakaki Tamiki (The World God Only Knows). During the exhibition run, other activities including lectures and workshops will be conducted.
From its first exhibit in Art Tower Mito, Japan, the exhibition has traveled to Artsonje Center in Seoul, South Korea and to the Vietnam Fine Art Museum in Hanoi, Vietnam where it has received considerable acclaim.
Manga Realities: Exploring the Art of Japanese Manga Today is presented by Ayala Foundation and the Japan Foundation; additional support is provided by Lyric Piano and Organ, Acer and Via Mare.
For inquiries, please contact the Japan Foundation, Manila at telephone numbers 811.6155 to 58 or visit www.jfmo.org.ph.
Ayala Museum is located at Makati Avenue corner de la Rosa St. Greenbelt Park, Makati City. The museum is open from Tuesday to Friday (9:00 am to 6:00 pm) and Saturday to Sunday (10:00 am to 7:00 pm). For more information, please call Ayala Museum at telephone numbers 757.7117 to 21 or visit www.ayalamuseum.org.
And it looks like a completely different animal. o3o)
I’m quite sure a lot of fellow fujoshi started getting into BL with Yami no Matsuei either as their gateway shoujo to BL manga or as a complimentary shoujo almost BL manga to their already growing collection of BL in the early 2000s. All of us were shocked by the sudden inclusion of tentacle rape by volume 11 and I’m quite sure all of us were shocked when author, Matsushita Youko took a major holiday (rumors are she was completely obsessed with Final Fantasy 11) right smack when she had already got a good portion of her main story line going. A lot of us almost gave up on her after not hearing a word about her in year.
While she published volume 12 last year, Matsushita finally returns to the pages of The Hana to Yume , a complimentary special magazine to Hana to Yume. She even drew the cover and yeah… it’s a whole lot different to what we saw 5 years ago.
She might have changed in terms of style but here’s me hoping that she doesn’t give us another five years of waiting to see what happens next to those memorable shinigamis of Yami no Matsuei.
Thanks to Fuuko of Hazukashii kedo for the tip. The edited image above was from a fan twitpic.
The winners of the Osamu Tezuka Cultural awards are out and the winners will definitely take us a trip back in time.
The Grand Prize was shared by two titles. First one (and the only one I’ve seen… at least in drama) is Jin by Murakami Motoka, a story of a surgeon who falls into a time slip and changes history by introducing his knowledge of medicine during the Bakumatsu period. I was only introduced to the drama a few weeks back but I’m happy to hear that this series has a strong manga enough to win the prize.
The other title is Takemitsu Samurai, drawn by Matsumoto Taiyou and written by Eifuku Issei. It’s a historical manga who has a mysterious ronin for a protagonist. Unfortunately, I can’t say much about it beyond it being printed in Big Comic Spirits. I’m only assuming that it’s one of those critically acclaimed yet unpopular titles (doesn’t even have a wiki page. :<)
The New Artist award was won by Full Metal Alchemist. And the Short Story award was won by Yamashina Keisuke.
I think this year’s award winners are quite a lovely set and I think their stories are definitely worth a read. I find it amazing though that Jin won this year. It’s like a nice homage to Osamu Tezuka. In a way, Jin is like the Black Jack of Edo. Sort of…
An awarding ceremony will be held on May 27 and the winners will be awarded 1 million yen and a bronze statue of Atom. Congratulations to all of the winners and hopefully we’ll have another lovely set of manga to read by next year!
The spirit of giving hasn’t disappeared in Japan and now Nakamura Hikaru’s is putting up five St. Oniisan (Saint Young Men) postcards for auction.
She’s giving away postcards of Buddha, Jesus, Brahma, Lucifer, the Archangels, and the first disciples. I find this offer rather nice and the artwork are quite encouraging. I do wonder if Nakamura Hikaru will be placing the earthquake in her manga although I’m not exactly sure if it’s appropriate to mention it in manga.
What I do know is that her Buddha, Jesus, and the rest of the crew mean well. I wish I can purchase these auctions and help more but unfortunately I’m strapped for cash and I can only imagine how expensive these postcards can get. If you are interested in buying the postcards, head towards the auction page at 18:00 p.m., Japan time.
Edit: I just checked the auctions again and now the Buddha and Jesus postcards you see illustrated below has been raised to 93,000 yen individually(around $930)! The Lucifer and Archangel illustrations are now up to 81,000 yen! One wouldn’t think miracles could happen, but I suppose if it means helping those who were brought down by the quake, these postcards are worth every yen.
Guest on 
d4rkn on 
Ash on 
